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Bios / Dieter Moebius Bio / Displaying items by tag: Tim StoryNepenthe Music 2011 Release Schedule
- Hans-Joachim Roedelius - La Nordica
- AMC1117 (Reissue/Remastered) - March
- After many false starts, March is the real month for this release.
- Tim Story / Hans-Joachim Roedelius - Lunz
- AMC11028 (Reissue/Remastered/Additional Track) - March
- Dieter Moebius – Nurton
- AMC11022 (Reissue / Remastered) – April
- Ashley / Story - A Desperate Serenity
- AMC11026 – 20th Anniversary edition - t.b.a
- Dwight Ashley – Detritus (1979-’86)
- Last Ashley archive issue
- AMC11020 – June
- Moebius / Ashley – Untitled
- AMC11024 – t.b.a
- Dwight Ashley – Either / Or
- AMC11027 – November
A.R.S.(e) Bio
A.R.S.(e) is Dwight Ashley, neo-expressionist composer of darkly oceanic tone poems; Hans Joachim Roedelius, prolific visionary of the electronic music avant-garde; and Tim Story, Grammy-nominated auteur of contemporary chamber music.
Ashley, Roedelius and Story all have been friends for many years and have collaborated in various pairs on projects such as Ashley/Story’s Drop, and the Roedelius & Story release, Lunz. It is no real surprise, therefore, that they eventually pooled their talents for a studio recording. The first project featuring all three artists, Errata combines the unique creative perspectives of each artist in a manner utterly unique to the entity known as A.R.S.(e).
Ashley / Story Bio
Tim Story and Dwight Ashley met in the fall of 1976, where they briefly worked together at a local music store. Ten years later a chance meeting reconnected the two, and they soon discovered they still had the same thing in common: music. A few shared tapes led to talk of a collaboration, which later became the 1991 Ashley/Story release, A Desperate Serenity.
The two have maintained their collaborative relationship over the years with appearances at The Gatherings Series in Philadelphia, PA, and two additional releases under the Ashley/Story title, as well as a collaboration with Hans-Joachim Roedelius.
Dieter Moebius Bio
Formally trained in Brussels and Berlin as a visual artist, Swiss-born Dieter Moebius has worked in the German film industry for years — but his world-wide reputation was made as a musician.
From his early work with the pioneering Krautrock band Cluster to his later solo recordings, Dieter Moebius remained one of the most innovative and prolific voices in contemporary electronic music, anticipating movements from ambient to techno years before the fact. By day a student at Berlin's Akademie Grafik, Moebius was moonlighting as a cook at an area restaurant when in 1969 he was befriended by Conrad Schnitzler, a key figure in local avant-garde circles, and invited to join Kluster, a band Schnitzler was forming with fellow underground artist Hans Joachim Roedelius. The trio released their debut LP Klopfzeichen, in 1970; in the wake of their third album, 1971's Kluster und Eruption, Schnitzler exited to pursue a solo career, and Moebius and Roedelius continued on as a duo, modifying the name to Cluster.
Working with famed producer Conrad Plank, Cluster began to move increasingly towards more structured soundscapes — with 1974's Zuckerzeit, they even pursued an electronic pop sound similar in spirit to Kraftwerk. Moebius and Roedelius also teamed with Neu!'s Michael Rother in Harmonia, releasing a pair of much-acclaimed mid-'70s LPs which caught the attention of Brian Eno, who in response collaborated with the trio on a legendary session (released much later as Harmonia 76) heralding a turn towards ambient textures (and influencing the sound of the 1976 Cluster album Sowiesoso). Roedelius and Moebius subsequently worked with Eno on 1977's Cluster and Eno and 1979's After the Heat as well; in the wake of 1981's Curiosum, however, they dissolved Cluster, with both pursuing solo endeavors.
Moebius' first subsequent effort was 1981's Material, a second collaboration with Plank (his proper solo debut, Rastakraut Pasta, had appeared two years earlier); together, they produced some of the most experimental recordings of their respective careers, creating harsh mutant soundscapes which over time gave way to the proto-ambient textures of 1986's En Route, their final work before Plank's untimely death. Concurrently Moebius also teamed with Gerd Beerbohm for 1982's Strange Music and 1983's Double Cut, both explorations of pure noise; meanwhile, with the solo album Tonspuren (also from 1983), Moebius clearly anticipated the emergence of techno. Apart from teaming with Karl Renzeihausen in the duo Ersatz. Because of his film career, his solo effort were put on-hold until his 1999 release Blotch and again in 2006 with Nurton. Around 2006 a building interest in Cluster reuniting (caused the soon-to-retire from his film career) Moebius and Roedelius to go on tour for around 4 years off and on. In 2009, he and Roedelius, with producer Tim Story came out with the first studio release in over 14 years, Qua. 2009 also brought out a new Moebius solo releases Kram. At the endof 2010 Cluster called it quits for good. As a result, Roedelius went on to form Qluster adding Onnen Bock to replace Moebius. In 2011, Moebius will be releasing his 5th solo release, Ding.
To date as of 2011, Moebius appears on well over a dozen Cluster recordings, as well as on collaborations with Brian Eno, Mani Neumeier, Gerd Beerbohm, Conny Plank, Karl Renziehausen, Tim Story and Dwight Ashley. Moebius also has released five solo albums, and has a soundtrack to his credit.
Tim Story Bio
Ohio-based composer Tim Story has established a worldwide reputation as a creator of emotionally complex chamber music that blends classical instrumentation with elegant and inventive electronics.
In addition to nine solo albums and dozens of compilations, Story's work has appeared on numerous television and film soundtracks, including the original score for the popular NPR documentary In Search of Angels, and Caravan, a feature-length documentary by the production company of Spanish film director Pedro Almodovar. Story received a Grammy nomination for 1988's Legend of Sleepy Hollow, a children's recording with Glenn Close, and a NAIRD "Best Album" award for Beguiled. Notable collaborations include three acclaimed CDs with Hans-Joachim Roedelius, three CDs with Dwight Ashley, and Errata, a project with both Ashley and Roedelius. Most recently, Story has also distinguished himself as the producer of Qua, the first Cluster studio recording in more than a decade.
2010
Latest 2010 Releases
Tim Story: Collected
Tim Story- Release Date: November 2010
- Genre: Classical
- Catalog No.: AMC10025
Blotch
Dieter Moebius- Release Date: January 2010
- Genre: Progressive Electronic/Electronica
- Catalog No.: AMC10020
Upcoming Releases
Hans-Joachim Roedelius
La Nordica (Reissue / Remastered)
Release Date: t.b.a.
Catalog No.: AMC10017
Dieter Moebius
Nurton (Reissue / Remastered with additional track)
Release Date: t.b.a.
Catalog No.: AMC10022
Dwight Ashley
Batch (1979-'86)
Last of the Ashley archive issues
Release Date: t.b.a.
Catalog No.: AMC09020
Moebius / Ashley
Untitled
Release Date: t.b.a.
Catalog No.: AMC10024
Nepenthe Bio

Nepenthe Music & Publishing is a micro label dedicated to the music releases of Ashley/Story (Dwight Ashley & Tim Story), Dwight Ashley and selected projects by A.R.S.(e) (Ashley, Roedelius, Story), Cluster, Dieter Moebius, Hans-Joachim Roedelius, and Tim Story. Our focus will be on the work of these artists; currently we are not soliciting projects involving other artists.
Nepenthe Music & Publishing also handles licensing for Jealous Entropy Publishing. Jealous Entropy Publishing is the publisher of all of Dwight Ashley's work and selected works of Deiter Moebius. In the future, full scores and sheet music published by Jealous Entropy will be available for purchase and downloading at nepenthemusic.com. For licensing information, please contact Nepenthe Music or visit youlicense.com.







